Deepa's Guide to Delhi's Museums

My guide to Delhi's museums is now online on tripadvisor:
http://www.tripadvisor.in/Guide-g304551-k340-New_Delhi_National_Capital_Territory_of_Delhi.html

http://www.tripadvisor.in/Guide-g304551-k340-New_Delhi_National_Capital_Territory_of_Delhi.html

Maidens Hotel, Civil Lines

Before The Imperial hotel came up in 1936, the most luxurious hotel in Delhi was Maidens in the Civil Lines. Built in 1903, it was called Maiden's Metropolitan at that time. Along with the Cecil and the Swiss Hotel, it was among the few Western-style hotels available for Europeans visiting Delhi.

Maidens Hotel, photo clicked last year

Maiden's Metropolitan was owned and run by a certain Mr. J. Maiden, who was fully involved in the day-to-day management of the establishment (and made a point of highlighting it as a major advantage). Shades of racism of course, assuming anything with a Sahib at the helm was somehow better. But perhaps I am being too sensitive. Maybe Mr. Maiden was only reassuring his customers they would be with someone culturally familiar, while negotiating a strange country. In any case, those were the days of the Raj, and I am more willing to forgive racism in an earlier era than today.

Entrance porch of hotel

The hotel was open only during the winter. In summer, the hotel shut down operations, while the firangis of Civil Lines made their escape to the cool environs of Shimla (the summer capital of the British).

The primary advantage that Maiden's Metropolitan had was its location. It was right opposite Ludlow Castle (the British Residency). The rail station was also nearby. For visiting dignitaries and their entourages, it made perfect sense to be based at Maidens. In 1879, for example, the American president Ulysses Grant visited Delhi. They arrived by train from Agra, and were received ceremoniously. Grant and his wife stayed at Ludlow Castle, but their retinue found accommodation "in the hotels around the rail station".

Ludlow Castle, now demolished. There is a school located here now.

I found an old advertisement for Maidens in John Murray's Handbook to India, Burma and Ceylon (published 1911). Long before Lonely Planet and Frommers, Murray's Handbook was a major source of information and travel tips for visitors to India. The first book came out in 1859, and several additional books came later. Every big hotel worth its name placed advertisements in Murray's handbook, and Maiden's was no exception. Note the room rates at the time: Rs 8 per night!

Advertisement in the 5th Edition of John Murray's book, 1911

The advertisement says "This Hotel is owned and managed by an Englishman of long Indian experience, who devotes his time solely to one establishment and has no connection with any other Hotel in India." This is of course, a dig at the Cecil, whose owners (the Hotz family) ran several other hotels (Cecil Agra, Wildflower Hall and Cecil Shimla). Mr. Maiden wanted to point out that their attention was obviously divided :) 

Here is Mrs. Hotz's advertisement for Cecil in the same book:

Both Mrs. Hotz and Mr. Maiden were obviously keen to highlight how modern their hotels were. Maiden says, "Electric Lights and Fans have been added, which convenience will be much appreciated, and show the up-to-date character of the house". The Cecil advertisement has "ELECTRIC LIGHT" written in allcaps :) Electricity had come to India only in the late 1800's, and that too first in Calcutta and Bombay. So these hotels were probably among the earliest buildings in Delhi to have electricity. 

Electric light in brass holder at the entrance

Maiden also made a big deal out of his "Fireproof Garage, with pit, free for use of Visitors' motor cars". There were very few cars in India at the time. Automobile manufacturing began in India only in the 1940s, so at the time this advertisement appeared, there were probably just a handful of cars that some maharajas or Englishmen had imported into India. Maybe these autos were not all that safe, and hence the fireproof garage!

There are three customer testimonials in the Maidens advertisement. The last one is from a guest who has returned after 12 years, and he says "I have been most comfortable in your new Hotel, as in the old one, and hope to see you again soon". There were actually two Maidens hotels. The first hotel was run by J Maiden and his brother. The second, the one that survives today, was run only by J Maiden. What became of the first hotel (or of the brother), I don't know. It is likely that the older hotel was modernised and relaunched in 1903, in anticipation of Lord Curzon's grand Coronation Durbar celebrations.

Maidens still survives today, it is run by the Oberoi Group now, and is classified as a 4-star hotel.  If you are looking for a heritage hotel experience in Delhi, but don't have the budget for the (much) fancier Imperial Hotel, then Maidens is a very good choice.

My Delhi Shopping Guide: Where to shop in Delhi

More entries in Deepa'a guide to Delhi's Bazaars! Enjoy :)
http://www.pinterest.com/delhimagic/deepas-guide-to-delhis-bazaars/

http://www.pinterest.com/delhimagic/deepas-guide-to-delhis-bazaars/

Lotuses at the Chhatarpur Flower Market, Delhi

We went to the Chhatarpur flower market early in the morning, where Gaurav photographed these beautiful lotuses.

It reminded me of the many lovely associations of the lotus from my childhood; especially this painting of the Goddess Lakshmi by Raja Ravi Varma, which hung on the wall in our family's prayer area. She is holding lotuses in both arms; she stands on a lotus; and there are lotuses in the pool, with swans. Her saree is also lotus-pink.

I always thought the lotuses in these paintings were exaggerated depictions of the flower. But that was before I actually saw a lotus close up. The beauty of this flower is breath-taking. Look at all the layers inside! I can actually imagine a tiny Lakshmi standing on top of this flower :)

At the National Museum in Delhi, there is a rather unusual miniature painting of Vishnu, Lakshmi's consort, holding lotuses in all his arms. He is seated on a lotus. A garland of lotuses is being offered to him; his head is crowned with lotuses; and even the fly-bearer's crown is similarly studded with lotuses. This is a Pahari miniature from the 1750s, from the Mankot-Basohli school. One of the chief characteristics of the Basohli paintings is the use of lotuses as a "must-have". It is a rare Baohli painting where you will not find lotuses. The Basohli school initiated Pahari art by illustrating scenes from literary classics, such as Rasa-Manjari, Ramayana and Gita Govinda (this one below must be from Gita Govinda; see how the painting depicts the Gaudiya tradition of Vaishnavite body marks).

Even more unusual is this phoolsajya painting, again from Basohli, where Radha and Krishna are clad entirely in lotuses. Again, this is likely from the Gita Govinda, which sings of the yearning of Radha for Krishna. The song is interpreted as the yearning of the human to merge with the divine. In the Gita Govinda, Radha first enjoys the bliss of being with Krishna; then when he departs, she is filled with anguished longing. The painting below depicts the bliss of the union of Radha-Krishna using the lotus as the motif. Like the lotus, this union is beautiful, divine, tender and pure.

Even in this depiction of the fearsome Bhadrakali, the Basohli artists found a way to incorprate lotuses: look carefully and you will find them.

Lotuses are everywhere in India. In Sanskrit, there are many words denoting lotuses - for example, padma, kinjala, mrinala, pushkara. We see lotuses in the names of many Indian people, both male and female. Padma, Padmavati, Padam Singh, and so on. It is also the name of the famous pilgrimage town of Pushkar. The legend says that Lord Brahma struck the asura Vajranabha with a lotus (which is Brahma's weapon). A petal of the lotus fell here at Pushkar, and a sacred lake was created.

Oh and also, I got a real kick out of knowing that in the Star Wars series, Padme Amidala is named after the lotus too :) :)

Karva Chauth in Delhi

Mehendi at Hanuman Mandir

In preparation for Karva Chauth today, Hindu women in Delhi have been getting mehendi on their hands; they have cooked delicacies and sweets for dinner, and done much bangle shopping in the bazaars. 

Today they are fasting from sunrise to moonrise for the safety and longevity of their husbands. In the evening, they will offer prayers after sighting the moon; and they will break the day long fast.

Karva Chauth and several similar festivals in other parts of India are a throwback to an era where Hindu women were defined by their marital status; and life was impossibly difficult for widows.

Bangle shop, Kinari Bazaar

Fortunately, a series of reforms by the leaders of independent India have helped change things for the better. In 1955-56, four Hindu code bills were passed: the Hindu Marriage Act, Hindu Succession Act, Hindu Minority and Guardianship Act, and Hindu Adoptions and Maintenance Act. These acts addressed many injustices that were routinely taking place and brought better representation for women's rights. 

The major changes as a result of this act were:

- Widows and daughters were awarded the same share of property as the son

- Women were allowed to divorce a cruel or negligent husband

- Husbands were prohibited from taking a second wife

- A man and woman of different castes could be married under Hindu law

- A Hindu couple could adopt a child of a different caste

The reforms were blocked by right-wing Hindu organisations and many kooky religious leaders, but were eventually pushed through due to the leadership of Nehru, Ambedkar, and many other visionaries. Unfortunately many of the original propositions had to be watered down to ensure the bills were passed.

These reforms have granted many rights to the majority of Indian women (since Hindus form 80% of India), but they continue to be controversial to the present day. Chief among the complaints is that these reforms exclude Muslims.

Anyway - since I am Hindu, and I am very much the beneficiary of the Hindu reform bills, on Karva Chauth, let me send my eternal thanks to Jawaharlal Nehru and Ambedkar. Without them, I'd be sitting here hoping and praying the male members of my family would be nice to me. 

The Delhi Durbar, 1911

In the winter of 1911, the grand Delhi Durbar was held to commemorate the coronation of King George V and Queen Mary as Emperor and Empress of India. A massive tent city was created north of the areas of Paharganj and Sadar Bazaar, and royalty from all over India came to stay in these tents. Every princely state was in attendance.

The decor of each tent reflected the culture and crafts of each kingdom - if you've been to Culture Gully at Kingdom of Dreams you'll know what I mean. The Jaipur tent had an Italian garden outside it. There was even a tent where the poles were covered in beaten silver :)

A massive coronation event was organised, and the King and Queen were seated on a dias in a temporary shamiana. Parades, music, salaams by 'loyal' local princes, presentations of awards - the whole event went on for a week.

I thought the shamiana's dome looked familiar - and when I looked closely it seemed almost a replica of the Jama Masjid dome. I can only assume that some political point was being proven. Or that the organisers were looking for something exotic and un-British-like and chanced upon the nearest inspiration.

On returning from the Delhi Durbar, King George gave a speech to the English Parliament in 1912. "All of India", he declared grandly, had commemorated his coronation. The event and indeed the entire visit, he said, had provided him with "overwhelming proof of the devotion of the Princes, Nobles, and Peoples of My Indian Empire to Ourselves and of their loyalty to My rule".

Remind me not to take kings and leaders too seriously :) Because, of course, the statement was quite far from the truth. The Partition of Bengal by Curzon in 1905 had already led to massive unrest. At the Congress session at Calcutta in 1906, presided by Dadabhai Naoroji, Indians were already asking for  'Swaraj' (self-government). The Swadeshi movement had been launched by Lokmanya Tilak; and Tilak had been sent to jail in 1908 for sedition. The British were trying to drive further wedges into Hindus and Muslims through the unpopular Morley-Minto "reforms" of 1909.

No wonder they felt that an appearance by a member of the royal family in 'flesh and blood' might help their cause and rally the 'native princes' to their side. The King and Queen even gave 'darshan' to the public from Red Fort, a la Shahjahan and other Mughal kings.

In concrete terms, I don't think the durbar achieved much to improve British standing in India. But King George V made two important announcements in Delhi: firstly, the partition of Bengal was annulled and, secondly, it was announced that the capital of India was to be shifted from Calcutta to Delhi. These two events make the 1911 Delhi Durbar an imporant event in the history of India.

Jawahar Vyapar Bhavan

If you drive past Janpath, you'll come across this building with its easily recognizable design of cubes and L-shapes.

It's called Jawahar Vyapar Bhavan, and it houses the offices of the State Trading Corporation of India (STC). Whenever I see the blue logo of STC (it's at the top of the building, can you see it?), I am reminded of the early years of independent India.

The STC was setup in 1956, when India had no strong manufacturing base of its own, and depended majorly on imports. We imported literally everything; including food, metals, machinery, fertilizers, etc. But we were broke. There were not enough foreign exchange reserves, so a system of rationing had to be put in place. 

India was keen to promote trade with Eastern Europe at this time - since Nehru's leanings were in that direction, and he espoused the idea of a planned economy.  The state was to play a major role in development.

So the STC was set up as the primary government arm dealing with imports and exports. It was tasked with conserving precious foreign exchange. If a businessman wanted to import something, he had to chase the babus at STC. The import had to be justified, and a license to import obtained. It was a long and torturous process; and was part of a system that went on to become infamous as the "License-Raj".

After economic liberalisation in 1991, the STC found itself redundant in many ways, and it had to reinvent itself. Today it is the chief importer for the government i.e. it imports edible oil, fertilizers, pulses, gold, metals etc based on government demand. It also imports scientific equipment and machinery for use by government laboratories and manufacturing units. The STC also helps private companies import things; by charging a fee for their expertise / service. But they no longer have a monopoly on import/export as they used to.

The STC building is located in a prime corner on Janpath, and well known to tourists because the ground floor houses the government-run handicrafts shop CCIE.

The huge Indian National Flag at Connaught Place

With Independence Day around the corner, I thought I would post this photo. This is the largest flag flying in India. It is 60 feet wide, 90 feet long, and weighs a huge 35 kilograms. 

This flag is a new addition to Delhi's skyline. It was hosted in March this year by the Flag Foundation of India.

Unlike other flags, it is not lowered at sunset, because it is adequately illuminated. This is as per the policy announced by the Ministry of Home Affairs in 2009, that the National Flag could fly day-and-night on a pole of a height of 100 ft. and above with proper illumination.